road to the well

Omens II by Laurence Fuller

The search for beauty is so often underpinned by a rugged brutality, stringent, uncompromising quest to prevail, exclusivity, a climb, a struggle, a ruthless clawing at the flimsy veins of the existence which pretend and shelter. One begins to claw, because of a feeling of not knowing, or of knowledge that there must be more. 

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Omens I by Laurence Fuller

In many ways this story begins last September, at the San Diego International Film Festival where the rag tag bunch of renegades that are the Road To The Well crew, scrambled through the streets of San Diego from our screenings of obscure indie dramas to the Oscar hopefuls in Lion,  and a special preview of Hidden Figures. It was a handful of studio backed mega dramas versus the new wave of young penniless independent filmmakers trying to complete against the majors with empty pockets, David & Goliath.

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Road To The Well wins at Long Beach Indie & the Q&A by Laurence Fuller

Watching DeNiro's brutally vulnerable monster staggering with understanding and determined to pursue his creator to the ends of the earth, I received a text from the director Jon Cvack with the brilliant news the Road To The Well won the top prize of Best Of The Fest at the Long Beach Indie Film Festival. This film has gone from strength to strength on the festival circuit since it's premier at Dances With Films, since it has been accepted into a number of major film festivals and up for awards competition in all of them including San Diego Film Festival coming up. All this was not without the blood and sweat of all involved, stitched together by the unlikely leadership of Jon Cvack. It was brilliant to get the five of us Jon, Micah, Marshall, Tim and I all in the same room for the Q&A at Long Beach for fifteen minutes or so we had the floor and the stories of forging this dark little monster began to spill out of our respective laboratories of memory.

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Long Beach Indie Film Festival: ROAD TO THE WELL by Laurence Fuller

The last time I was in Long Beach I was on route to Catalina to join my mother as she searched for inspiration for her latest series of paintings amongst the coastal life of Catalina. Perspective is a very important part of her work so we went up in helicopter to search for whales and then underneath the surface in a submarine to see the fishes, then out on a boat to search for sea lions. Painting as with acting begins with a stimulus which grows into its manifested form with time and cultivation. Though that stimulus is qualitative and its cultivation must be considered to produce a great work of art.

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Hollywood North Film Festival & Unreasonable Passions by Laurence Fuller

Having had incredibly passionate beliefs of my own, that at the time of my having them felt overwhelmingly real, especially when in the grips of a character. It’s like my entire world gets reframed, but I love that feeling, I’ve become addicted to it over time. A kind of violent self destruction of my own identity that’s I’ve come to love. But I don't know that growing up and accepting the way things are is a kind of inevitably, because I don't think everyone comes to the same conclusions.

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Dances With Films: Death, Pleasure & Friendship by Laurence Fuller

This is much the same problem that Hamlet wrestles with, just before this clip I was talking about the comparisons between Classical theatre and American cinema. Apparently soon after this I was also talking about whether or not to commit suicide, "To Be or not To Be" made sense at the time. My meaning was the existential/nihilistic questions being posed in the characters journey, discussions between myself and the director Jon Cvack were focused on the way that Satre or Camus would take on such problems. Camus believed the only real philosophical question worth asking was wether or not to commit suicide.

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Road To The Well premier @ Dances With Films Festival & the subjectivity of research by Laurence Fuller

Today the announcement came out that Road To The Well will be premiering at TLC Chinese Theatre as part of Dances With Films. I reflected on the first moment I was offered the part, and preparing to play an American for a full feature. I think it would have been impossible if I hadn't lived in Los Angeles for three years prior to shooting, I considered the subjectivity of research. Much like the difference between academia and spiritual experience.

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